American Film Institute | Editing Fellow
Director: Stephen Steelman
Producer: Tori Ichikowitz
Screenwriter: Mashael Alqahtani
Editor: Siddharth Lal
Cinematographer: Jessica Arzate Cerecedo
Production Designer: Arushi Mathur
Synopsis: Noah and Shirin, a couple, decide to spend the weekend at a Bed&Breakfast that has received great reviews. Soon after, what was supposed to be a relaxing getaway turns into something sinister and terrifying when they are exposed to the secrets hidden in the room by an evil entity that takes control of their fates.

Editor's Note
Film is a powerful medium and 𝑮𝒐𝒐𝒅𝒏𝒊𝒈𝒉𝒕, 𝑴𝒚 𝑳𝒐𝒗𝒆 is my ode to that power. The unique amalgamation of all forms of art that contributes to making any film convey a feeling to the audiences is truly beautiful to see, and I am glad to witness it firsthand with a team of equally driven and passionate filmmakers.
This process truly served as a reminder of all the things that led me to start pursuing my interest in filmmaking and film editing during my junior year of engineering back in 2020.
Editing-wise, one of my major areas of focus was that the film should be cut in a way that incites horror without any sort of sound effects or sound design. Cuts should be what creates fear in the audience's mind. Therefore, I often found myself cutting in complete silence, a method that has worked for me in the past as well. Secondly, what excited me the most about this project was the opportunity to use sound as a major medium to amplify emotions throughout the film. I spent the months before the shooting, especially during my winter break in India, to understand what the film was trying to say at a deeper level and how I could use editing and sound to convey it better. I made a lot of Foley Sound Effects too that did manage to make their way into the final cut. Another thing that I did that helped me was that I made a huge graph of every beat in the film and assigned a numeric value to them based on the amount of tension that beat holds. This proved to be of immense help to me as I could visually see what my cutting approach should be at each point in the film.


